This project focuses on publishing my dissertation in a unique format. It draws inspiration from the topics explored in the paper and uses U.S. paper ratios for optimal layout. The cover features a photograph of Bass creating his stunning titles, instantly setting the tone for the content inside.

The body of the dissertation is presented in a screenplay style, adhering to the standard formatting rules to maintain authenticity. The figures and illustrations from my dissertation are not included within the main text; instead, they are displayed on film slides. This approach enhances the connection to 20th-century cinema, creating a distinctive and visually engaging publication.

‘Exploring the impact of Saul Bass’ title sequences within cinema and their lasting influence on the title sequence industry in the 21st century.’